Richard Wagner
Hi Wilhelm Richard Wagner (Inaleman nga kaluwas: [ˈʁiçaʁt ˈvaɡnɐ]; Mayo 22 1813, Leipzig, Alemanya – Pebrero 13 1883, Venesya, Italya) usa nga Aleman nga kompositor, konduktor, direktor hin teatro ngan ensayista o parag-gumalaysay, nga kilalado hin dako tungod han iya mga opera (o "drama hin musika", nga amo an tawag hini ha urhe nga panahon). Nag-iiba hi Wagner tikang hin kadam-an nga iba nga mga harangdon nga mga kompositor hin opera nga diin, hiya amo an nagsurat han scenario ngan han libretto para han iya mga sinurat.
![](http://up.wiki.x.io/wikipedia/commons/thumb/9/9d/RichardWagner.jpg/220px-RichardWagner.jpg)
An mga ginkomposo ni Wagner, labi na an mga tikang han iya urhe nga panahon, kilalado tungod hin kontrapunto nga textura, hilarom nga khromatismo, mga harmonya ngan pag-orkestrar, ngan makarit nga paggamit hin mga leitmotif: mga tema ha musika nga gin-pahiunong hin mga ispisipiko nga mga tawohan, mga lugar o mga elemento han istorya. Nanguna hi Wagner hin mga pagpadukwag ha yinaknan ha musika sugad hin extremo nga khromatismo ngan madali-hin-pagbalhin nga mga sentro hin tono, nga naka-dara han pagpadukwag han Europeo nga klasikal nga musika.
Gintransformar ni Wagner an paghunanhuna ha musika pinaagi han iya ideya hin Gesamtkunstwerk ("bug-os nga buhat ha arte"), an sintesis han ngatanan nga kanan siday, visual, musika ngan drama, nga ginpanguna han iya upat-nga-opera nga siklo nga Der Ring des Nibelungen (1876). Agod niya maipasundayag ini nga iya mga sinurat ha iya pag-imahinar, gintukod ni Wagner an iya kalugaringon nga balayan hin opera, an Bayreuth Festspielhaus.
Mga reperensya
igliwatPinanbasaran
igliwatMga pagkukuhaan
igliwatMga buhat nga prosa ni Wagner
- Wagner, Richard (ed. Dieter Borchmeyer) (1983; in German), Richard Wagner Dichtungen und Schriften, 10 vols. Frankfurt am Main.
- Wagner, Richard (ed. and tr. Stewart Spencer and Barry Millington) (1987), Selected Letters of Richard Wagner, London: Dent. ISBN 0-460-04643-8; W. W. Norton and Company. ISBN 978-0-393-02500-2.
- Wagner, Richard (tr. Andrew Gray) (1992), My Life, New York: Da Capo Press. ISBN 978-0-306-80481-6. Wagner's partly unreliable autobiography, covering his life to 1864, written between 1865 and 1880 and first published privately in German in a small edition between 1870 and 1880. The first (edited) public edition appeared in 1911. Gray's translation is the most comprehensive available.
- Wagner, Richard, Collected Prose Works (tr. W. Ashton Ellis).
- Wagner, Richard (1994c), vol. 1 The Artwork of the Future and Other Works, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9752-4.
- Wagner, Richard (1995d), vol. 2 Opera and Drama, Lincoln (NE) and London: University of Nebraska Press. ISBN 0-8032-9765-3.
- Wagner, Richard (1995c), vol. 3 Judaism in Music and Other Essays, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9766-1.
- Wagner, Richard (1995a), vol. 4 Art and Politics, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9774-6.
- Wagner, Richard (1995b), vol. 5 Actors and Singers, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9773-9.
- Wagner, Richard (1994a), vol. 6 Religion and Art, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9764-7.
- Wagner, Richard (1994b), vol. 7 Pilgrimage to Beethoven and Other Essays, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9763-0.
- Wagner, Richard (1995e), vol. 8 Jesus of Nazareth and Other Writings, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9780-7.
Iba nga pagkukuhaan
- Adorno, Theodor (tr. Rodney Livingstone) (2009), In Search of Wagner, London: Verso Books. ISBN 978-1-84467-344-5.
- Applegate, Celia; Potter, Pamela (eds.) (2002), Music & German National Identity, Chicago: Chicago University Press. ISBN 978-0-226-02131-7.
- Beckett, Lucy (1981), Richard Wagner: Parsifal, Cambridge: Cambridge University Press. ISBN 978-0-521-29662-5.
- Borchmeyer, Dieter (2003), Drama and the World of Richard Wagner, Princeton: Princeton University Press. ISBN 978-0-691-11497-2.
- Bruen, Hanan (1993), "Wagner in Israel: A conflict among Aesthetic, Historical, Psychological and Social Considerations", Journal of Aesthetic Education, vol. 27, no. 1 (Spring 1993), 99–103.
- Burbidge, Peter and Sutton, Richard (eds.) (1979), The Wagner Companion, Cambridge: Cambridge University Press. ISBN 978-0-521-29657-1.
- Burk, John N. (1950), Letters of Richard Wagner: The Burrell Collection, New York: The Macmillan Company. ISBN 978-0-8443-0031-3.
- Calico, Joy Haslam (2002), Batakan:"'Für eine neue deutsche NationaloperBatakan:'", in Applegate (2002), 190–204.
- Carr, Jonathan (2007), The Wagner Clan, London: Faber and Faber. ISBN 978-0-571-20790-9.
- Conway, David (2002), http://www.smerus.pwp.blueyonder.co.uk/vulture_.htm Ginhipos 2007-02-05 han Wayback Machine, Jewry in Music website, accessed 23 November 2012.
- Conway, David (2012), Jewry in Music: Entry to the Profession from the Enlightenment to Richard Wagner, Cambridge: Cambridge University Press. ISBN 978-1-107-01538-8.
- Cormack, David (2005), Batakan:"'Wir welken und sterben dahinnen': Carrie Pringle and the Solo Flowermaidens of 1882" in The Musical Times, vol. 146, no. 1890, 16–31.
- Dahlhaus, Carl (tr. Mary Whittall) (1979), Richard Wagner's Music Dramas, Cambridge: Cambridge University Press. ISBN 978-0-521-22397-3.
- Dahlhaus, Carl (1995), "Wagner: (Wilhelm) Richard Wagner", in The New Grove Dictionary of Music and Musicians, London: Macmillan, vol. 20, 115–36. ISBN 0-333-23111-2.
- Daverio, John (2008), "Tristan und Isolde: essence and appearance", in Grey (2008), 115–33.
- Deathridge, John (1984), The New Grove Wagner, London: Macmillan. ISBN 0-333-36065-6.
- Deathridge, John (1982), "An Introduction to The Flying Dutchman", in John, Nicholas (ed.), English National Opera/The Royal Opera House Opera Guide 12: Der Fliegende Holländer/The Flying Dutchman, London: John Calder. ISBN 0-7145-3920-1, 13–26.
- Deathridge, John (2008), Wagner Beyond Good and Evil, Berkeley: University of California Press. ISBN 978-0-520-25453-4.
- Donington, Robert (1979), Wagner's Ring and its Symbols, London: Faber Paperbacks. ISBN 0-571-04818-8.
- Everett, Derrick (2008), "Wagner, Gobineau and Parsifal: Gobineau as the inspiration for Parsifal" Ginhipos 2012-03-19 han Wayback Machine, http://www.monsalvat.no, version of 26 June 2008, accessed 27 July 2010.
- Faber Music News (2007), Autumn 2007 edition.
- Fackler, Guido (tr. Peter Logan) (2007), "Music in Concentration Camps 1933–1945" Ginhipos 2010-06-21 han Wayback Machine, Music and Politics, vol. 1, no. 1 (Winter 2007).
- Field, Geoffrey G. (1981), Evangelist of Race: The Germanic Vision of Houston Stewart Chamberlain, New York: Columbia University Press. ISBN 978-0-231-04860-6.
- François-Sappey, Brigitte (ed.) (1991), Charles Valentin Alkan, Paris: Fayard. ISBN 2-213-02779-X.
- de La Grange, Henri-Louis (1973), Mahler: Volume One, London: Victor Gollancz. ISBN 0-575-01672-8.
- Grant, John (1999), "Excalibur: US movie", in John Clute & John Grant (eds.) The Encyclopedia of Fantasy, Orbit, 324. ISBN 1-85723-893-1.
- Gregor-Dellin, Martin (1983), Richard Wagner—His Life, His Work, His Century, New York: Harcourt, Brace, Jovanovich. ISBN 978-0-15-177151-6.
- Grey, Thomas S. (2002), "Wagner's Die Meistersinger as National Opera (1868–1945)", in Applegate (2002), 78–104.
- Grey, Thomas S. (ed.) (2008), The Cambridge Companion to Wagner, Cambridge: Cambridge University Press. ISBN 978-0-521-64439-6.
- Gutman, Robert W. (1990), Wagner—The Man, His Mind and His Music, Orlando: Harvest Books. ISBN 978-0-15-677615-8.
- Hilmes, Oliver (2011), Cosima Wagner: The Lady of Bayreuth, New Haven and London: Yale University Press. ISBN 978-0-300-17090-0.
- Horton, Paul C. (1999), "Review of Psychoanalytic Explorations in Music: Second Series" (ed. Stuart Feder), American Journal of Psychiatry vol. 156, 1109–10, July 1999, accessed 8 July 2010.
- Joe, Jeongwon (2010). "Why Wagner and Cinema? Tolkien was wrong" in Jeongwon Joe, Sander L. Gilman (eds.), Wagner and Cinema. Bloomington, IN: Indiana University Press. ISBN 978-0-253-22163-6.
- John, Eckhardt (2004; in French), "La musique dans la système concentrationnaire nazi", in Le troisième Reich et la musique (ed. Pascal Huynh), Paris: Fayard, 219–28. ISBN 2-213-62135-7.
- Kaes, Anton (1989). From Hitler to Heimat: The Return of History as Film. Cambridge, Massachusetts: Harvard University Press. ISBN 978-0674324565
- Karlsson, Jonas (2012), Batakan:"'In that hour it began'? Hitler, Rienzi, and the Trustworthiness of August Kubizek's The Young Hitler I Knew", The Wagner Journal, vol. 6, no. 2, ISSN 1755-0173, 33–47.
- Katz, Jacob (1986), The Darker Side of Genius: Richard Wagner's Anti-Semitism, Hanover and London: Brandeis. ISBN 0-87451-368-5.
- Kennedy, Michael (1980), The Concise Oxford Dictionary of Music, Oxford: Oxford University Press. ISBN 978-0-19-311320-6.
- Kienzle, Ulrike (2005), "Parsifal and Religion: A Christian Music Drama?", in William Kinderman and Katherine Rae Syer (ed.), A Companion To Wagner's Parsifal, Woodbridge: Boydell & Brewer, 81–132. ISBN 978-1-57113-457-8. Also available on Google Books, accessed 27 January 2013.
- Lee, M. Owen (1998), Wagner: The Terrible Man and His Truthful Art, Toronto: University of Toronto Press. ISBN 978-0-8020-4721-2.
- Lockspeiser, Edward (1978), Debussy, his Life and Mind: Volume 1, 1862–1902 (2nd edition), Cambridge: Cambridge University Press. ISBN 0-521-22053-X.
- Long, Michael (2008), Beautiful monsters: imagining the classic in musical media, Berkeley: University of California Press. ISBN 0-520-25720-0.
- Magee, Bryan (1988), Aspects of Wagner, Oxford: Oxford University Press. ISBN 978-0-19-284012-7.
- Magee, Bryan (2000), Wagner and Philosophy, London: Allen Lane. ISBN 978-0-7139-9480-3.
- Marek, George R. (1981), Cosima Wagner, London: Julia MacRae Books. ISBN 978-0-86203-120-6.
- Martin, T. P. (1992), Joyce and Wagner: A Study in Influence, Cambridge: Cambridge University Press. ISBN 978-0-521-39487-1.
- McClatchie, Stephen (2008), "Performing Germany in Wagner's Die Meistersinger von Nürnberg", in Grey (2008), 134–50.
- Michotte, Edmond (ed. and tr. Herbert Weinstock) (1968), Richard Wagner's Visit to Rossini (Paris 1860): and an Evening at Rossini's in Beau-Sejour (Passy) 1858, Chicago: University of Chicago Press. ISBN 0-226-52442-6.
- Millington, Barry (ed.) (2001), The Wagner Compendium: A Guide to Wagner's Life and Music (revised edition), London: Thames and Hudson Ltd. ISBN 0-02-871359-1.
- Millington, Barry (2008), "Der Ring des Nibelungen: conception and interpretation", in Grey (2008), 74–84.
- Millington, Barry (undated a), "Wesendonck, Mathilde", in Grove Music Online. Oxford Music Online (subscription only, accessed 20 July 2010).
- Millington, Barry (undated b), "Walküre, Die", in The New Grove Dictionary of Opera, Stanley Sadie (ed.). Grove Music Online. Oxford Music Online (subscription only, accessed 23 July 2010).
- Millington, Barry (undated c), "Meistersinger von Nürnberg, Die", in The New Grove Dictionary of Opera, Stanley Sadie (ed.). Grove Music Online. Oxford Music Online (subscription only, accessed 23 July 2010).
- Millington, Barry (undated d), "Parsifal", in The New Grove Dictionary of Opera, Stanley Sadie (ed.). Grove Music Online. Oxford Music Online (subscription only, accessed 23 July 2010).
- Nattiez, Jean-Jacques (tr. Stewart Spencer) (1993). Wagner Androgyne: A Study in Interpretation", Princeton: Princeton University Press. ISBN 978-0-691-04832-1.
- Naumann, Emil (1876; in German), Italienische Tondichter, von Palestrina bis auf die Gegenwart, Berlin: R. Oppenheim. OCLC 12378618.
- Newman, Ernest (1976), The Life of Richard Wagner, 4 vols. Cambridge: Cambridge University Press. ISBN 978-0-685-14824-2. The classic biography, superseded in places by newer research but still full of many valuable insights.
- Nietzsche, Friedrich (tr. Walter Kaufmann) (1967), "The Case of Wagner", in Nietzsche (tr. Kaufmann) The Birth of Tragedy and The Case of Wagner, Random House. ISBN 0-394-70369-3.
- Nietzsche, Friedrich, (tr. Ian Johnston) (2009), On the Genealogy of Morals – A Polemical Tract Ginhipos 2013-08-08 han Wayback Machine, accessed 14 March 2014.
- Overvold, Liselotte Z. (1976), "Wagner's American Centennial March: Genesis and Reception", Monatshefte (University of Wisconsin), vol. 68, no. 2 (Summer 1976), 179–87. JSTOR 30156682.
- Painter, George D. (1983), Marcel Proust, Harmondsworth: Penguin. ISBN 0-14-006512-1.
- Picard, T. (ed.) (2010; in French), Dictionnaire encyclopédique Wagner, Paris: Actes Sud. ISBN 978-2-7427-7843-0.
- Potter, Pamela R. (2008), "Wagner and the Third Reich: myths and realities", in The Cambridge Companion to Wagner (ed. Thomas S. Grey), Cambridge University Press. ISBN 978-0-521-64439-6.
- Puffett, Derrick (1984), "Siegfried in the Context of Wagner's Operatic Writing", in John, Nicholas (ed.), Siegfried: Opera Guide 28, London: John Calder (Publishers) Ltd. ISBN 0-7145-4040-4.
- Reissman, Carla S. (2004), Rammstein meets Wagner in Stern magazine website, 17 February 2004 (accessed 31 October 2012).
- Rose, John Luke (1981), "A Landmark in Musical History", in John, Nicholas (ed.), Tristan and Isolde: English National Opera Guide 6, London: John Calder (Publishers) Ltd. ISBN 0-7145-3849-3.
- Rose, Paul Lawrence (1996), Wagner: Race and Revolution, London: Faber. ISBN 0-571-17888-X.
- Ross, Alex (2008), The Rest Is Noise: Listening to the Twentieth Century, London: Fourth Estate. ISBN 978-1-84115-475-6.
- Scruton, Roger (2003), Death-Devoted Heart: Sex and the Sacred in Wagner's "Tristan and Isolde", Oxford: Oxford University Press. ISBN 978-0-19-516691-0.
- Shaw, George Bernard (1898), The Perfect Wagnerite. Online version at Gutenberg, accessed 20 July 2010.
- Sietz, Reinhold and Wiegandt, Matthias (undated), "Hiller, Ferdinand", in Grove Music Online. Oxford Music Online (subscription only, accessed 23 July 2010).
- Skelton, Geoffrey (2002), "Bayreuth", in Grove Music Online, Oxford Music Online. Version of 28 February 2002, accessed 20 December 2009.
- Sontag, Susan (1980). "Eye of the Storm", in The New York Review of Books, Volume XXVII, Number 2, 21 February 1980, pp. 36–43; reprinted as "Syberberg's Hitler" in Under the Sign of Saturn. New York: Farrar, Straus and Giroux, 1980, ISBN 978-0863160523, 137–165.
- Spencer, Stewart (2000), Wagner Remembered, London: Faber and Faber. ISBN 978-0-571-19653-1.
- Spencer, Stewart (2008), "The 'Romantic operas' and the turn to myth", in Grey (2008), 67–73.
- Spotts, Frederic (1994), Bayreuth: A History of the Wagner Festival, New Haven and London: Yale University Press. ISBN 978-0-300-06665-4.
- Stanley, Glenn (2008), "Parsifal: redemption and Kunstreligion", in Grey (2008), 151–75.
- Tanner, M. (1995), Wagner, Princeton: Princeton University Press. ISBN 978-0-691-10290-0.
- Taruskin, Richard (2009), Music in the Early Twentieth Century, Oxford: Oxford University Press. ISBN 978-0-19-538484-0.
- Treadwell, James (2008), "The Urge to Communicate", in Grey (2008), 179–91.
- Vaszonyi, Nicholas (2010), Richard Wagner: Self-Promotion and the Making of a Brand. Cambridge: Cambridge University Press. ISBN 978-0-521-51996-0.
- Wagner, Cosima (tr. Geoffrey Skelton) (1978), Diaries, 2 vols. London: Dent. ISBN 978-0-15-122635-1.
- Wagner, Cosima (ed. and tr. Geoffrey Skelton) (1994), Cosima Wagner's Diaries: an Abridgement. London: Pimlico Books. ISBN 978-0-7126-5952-9.
- Walker, Alan (1996), Franz Liszt: The Final Years, New York: Alfred A. Knopf. ISBN 978-0-394-52542-6.
- Walsh, Michael (1992), "The Case of Wagner—Again" Ginhipos 2012-01-21 han Wayback Machine, Time, 13 January 1992, accessed 17 July 2010.
- Warshaw, Hilary (2012), "No Sound of Music", The Wagner Journal, vol. 6, no. 2, ISSN 1755-0173, 77–9.
- Weiner, Marc A. (1997), Richard Wagner and the Anti-Semitic Imagination, Lincoln (NE) and London: University of Nebraska Press. ISBN 978-0-8032-9792-0.
- von Westernhagen, Kurt (1980), "(Wilhelm) Richard Wagner", in vol. 20 of Grove Dictionary of Music and Musicians (ed. S. Sadie), London: MacMillan 1980.
- Westrup, Jack (1980), "Conducting", in vol. 4 of Grove Dictionary of Music and Musicians (ed. S. Sadie), London 1980.
- Žižek, Slavoj (2009), "Foreword: Why is Wagner Worth Saving", in Adorno (2009), viii–xxvii.
Mga sumpay ha gawas
igliwatDugang nga pamiling mahitungod han Richard Wagner ha kanan Wikipedia mga bugto nga proyekto: | |
Mga hulád tikang ha Wikiquote | |
Gintikangan nga mga kasuratan tikang ha Wikisource | |
Mga imahe ngan medya tikang ha Commons |
An Wikisource mayda orihinal nga sinurat nga nahahanungod hiní nga barasahon: |
Mga opera
igliwat- Richard Wagner Opera, Richard Wagner operas, Wagner interviews, CDs, DVDs, Wagner calendar, Bayreuth Festival
- Wagner Operas, site featuring photographs, video, MIDI files, scores, libretti, and commentary
- RWagner.net, contains libretti of his operas, with English translations
- Wagner website Ginhipos 2006-11-09 han Wayback Machine, assortment of articles on Wagner and his operas
- Photo of Wagner's manuscript for the Bridal Chorus in Lohengrin Ginhipos 2005-11-11 han Wayback Machine
- Wilhelm Richard Wagner site by Stanford University
- The Wagnerian, Richard Wagner news, operas, reviews, articles.
Mga sinurat
igliwat- The Wagner Library Ginhipos 2011-02-21 han Wayback Machine. English translations of Wagner's prose works, including some of Wagner's more notable essays.
- Works by Richard Wagner at Project Gutenberg
- Works by or about Richard Wagner in libraries (WorldCat catalog)
Mga ritrato
igliwat- The Richard Wagner Postcard-Gallery, a gallery of historic postcards with motives from Richard Wagner's operas (in German)
Mga score
igliwat- Mga libre nga score ni Richard Wagner ha Choral Public Domain Library (ChoralWiki)
- Mga libre nga score ni Wagner ha International Music Score Library Project
Iba
igliwat- Richard Wagner material in the BBC Radio 3 archives
- BBC audio file. Discussion of Wagner on Radio 4 programme In our time.
- Bayreuth Festival
- The National Archive Ginhipos 2013-05-23 han Wayback Machine of the Richard Wagner Foundation
- Richard Wagner Museum Ginhipos 2007-09-27 han Wayback Machine in the country manor Triebschen beside Lucerne, Switzerland where he and Cosima lived and worked from 1866 to 1872.
- The Wagner Tuba